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    Elkins Park View, Sidney Goodman, 1971, charcoal and conte crayon on paper, Smithsonian American Art Museum.
  • I win!

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    You Snooze You Lose.
    Audrey Bunchkowski.
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    Lady Macbeth Sleepwalking, Eugène Delacroix, c. 1849-1850, oil on canvas, Beaverbrook Art Gallery, Fredericton, NB.
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    The Somnambulist.
    Robin Ironside.
    Gouache on paper.

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    The Somnanulist, John Everett Millais, 1871, oil on canvas, Delaware Art Museum.
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    Tony Matelli.
    Fiberglass, steel, paint.
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    Josh, Tony Matelli, 2010, silicone, steel, hair, and clothing, Davis Museum at Wellesley College.
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    Der Schwebende (The Floating One)
    Ernst Barlach.
    Bronze cast.
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    Floating, Gaston Lachaise, 1927, cast after 1935, bronze, University of Nebraska-Lincoln.
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    Prunella Clough.
    Lithograph on paper.
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    Wire and Demolition, Prunella Clough, 1982, oil on canvas, Tate.
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    Red Wire Sculpture.
    Kurt Schwitters.
    Metal, plaster and stone.
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    44th Wire Piece, Richard Tuttle, 1972, wire, pencil, Museum of Contemporary Art, Los Angeles.
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    Anselm Kiefer.
    Oil paint, ash and copper wire on canvas.
    Lilith is the name of a figure from Hebrew folklore to whom Kiefer referred in many of his works of the 1980s and 1990s. Several different stories are attached to Lilith, but she has been represented most commonly as the first wife of Adam who refused to join him in the Garden of Eden and instead went to live on the edge of the Red Sea. Lilith has been depicted as a demon and also as a siren-like figure who leads men into dangerous situations with her beauty and especially her long, flowing hair. Kiefer has explained his choice of title with reference to Lilith’s association with destruction, stating in 2011 that as he painted this work he ‘thought of … Lilith, who lives in the abandoned ruins. And I asked myself: what does this city say to me? And I thought of the end of the city, its dispersal into ashes, on the circular movement of all time’. This idea of destruction is also evoked by Kiefer’s violent reworking and burning of his canvases.
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    Lilith, Kiki Smith, 1994, bronze with glass eyes, Metropolitan Museum of Art, New York City.
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    Kiki Kogelnik.

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    Kiki Chantant dans un cabaret de Montparnasse (Kiki singing in a Montparnasse cabaret), Brassaï (Gyula Halasz), 1933, photograph, gelatin silver print, Museum of Fine Arts, Boston.
    Alice Ernestine Prin (2 October 1901 – 29 April 1953), nicknamed the Queen of Montparnasse, and often known as Kiki de Montparnasse, was a French artist's model, literary muse, nightclub singer, actress, memoirist, and painter. She flourished in, and helped define, the liberated culture of Paris in the 1920s.
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    A Studio in Montparnasse.
    Christopher Richard Wynne Nevinson.
    Oil paint on canvas.
  • christopher-richard-wynne-nevinson-soho-twilight-c-1924_u-l-prd9vb0.jpg?src=gp&w=300&h=300
    Soho Twilight, Christopher Richard Wynne Nevinson, c. 1924, oil on canvas, private collection.
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