Re: Interesting History Behind BF1 Weapon Skin Names?
Hellriegel 1915 skins
Legendary: The Archduke, Die Tiroler Bracke, The Schreckenstein
Distinguished: Eidenberger, Monte Piano, Snail, Tyrol
Snail skin for Hellriegel 1915 https://battlefield.fandom.com/wiki/Hellriegel_1915 Originating from Austria-Hungary and even though the term submachine gun had not yet been coined in 1915 this beast was belt-fed from a German snail magazine, firing 9mm rounds and had a water cooling jacket. Archives indicate that this weapon was named after someone called Hellriegel. https://en.wikipedia.org/wiki/Standsch%C3%BCtze_Hellriegel_M1915 Hellriegel's submachine gun could be fed from a drum magazine with a capacity of approximately 100-160 rounds. The magazine was not actually connected to the gun itself as the cartridges travelled through a flexible chute. The unusual appearance of the magazine has led many people to assume that the gun was belt-fed, however, this is not the case with the rounds being unconnected from one another and are propelled along the drum and feed chute by a spring. The design is very similar to the German TM 08 snail magazine, which was used in the Luger P08 pistol and MP-18 submachine gun. Apparently the gun could also use a box magazine with a capacity of around 20-30 rounds, which looks very similar to the box magazine of a Thompson submachine gun.
Tyrol skin for Hellriegel 1915 (https://en.wikipedia.org/wiki/Standsch%C3%BCtze_Hellriegel_M1915): Little is known about the Standschütze Hellriegel Model 1915. The only source of information about the Hellriegel is several photographs stored in the photo archive of the Austrian National Library under the name “Maschinengewehr des Standschützen Hellriegel” (literally "Machine gun from reservist Hellriegel"). The photographs are dated October 1915 and they show the weapon being tested at a firing range. Its name and magazine size indicate that it was an automatic firearm, and its designer was someone named Hellriegel from the Austrian militia unit Standschützen (reference to the Maschinenpistole M1912/P.16's Standschützen skin), tasked with the defence of Tyrol and Vorarlberg regions of western Austria, the former bordered "neutral" Italy. It was most likely a prototype and therefore explains its "unfinished" look and design. The development of this weapon coincided with the Italian entry into World War I on the side of the Entente, and its subsequent declaration of war on Austria-Hungary - its former ally in the Triple Alliance - which forced the Austro-Hungarian Empire to wage war on three fronts. http://firearms.96.lt/pages/hellriegel It may be the case that only one prototype was ever built. Additionally, there have of yet been no records or documentation relating to this weapon. Because of this, the details of the trials that are depicted in the photographs are unknown; in any case, it seems clear that the design was not successful, and there was no interest in taking it into service. The photos that were taken during the tests were later sent to the K.u.K. Press Office in 1918; it is recorded that they were taken in Tyrol.
Monte Piano skin for Hellriegel 1915 (https://en.wikipedia.org/wiki/Monte_Piana): Monte Piana is a 2,324-metre (7,625 ft) tall mountain in the Sexten Dolomites and located on the border between the provinces of South Tyrol (reference to the Hellriegel 1915's Tyrol skin) and Belluno. The smaller Northern summit of the mountain is named Monte Piano (2,305m). During the so-called "White War" in World War I the mountain was hotly contested between the Austrian and Italian Armies. The Austrians had occupied the Northern summit Monte Piano, while the Southern summit Monte Piana was in Italian hands. Today many remnants of the fierce fighting can still be found on both summits. When Italy declared war on Austria-Hungary on 24 May 1915, seven / eight battalions of the thirty-five stationed between San Candido and the Stelvio were sent to Monte Piana and its valleys. On 24 May the Piana was occupied by two platoons of Alpine troops of the 96th company, Pieve di Cadore battalion, of the 7th regiment. Other Alpini of the 67th company around 08:30 were hit by an artillery shell fired from Monte Rudo while they were working on the road from Misurina to Monte Piana; they were the first Italians to fall on a mountain that in less than two years made about 14,000 victims from both sides. Here, on 7 June 1915, second lieutenant Antonio De Toni (7th regiment, 268th company, batt. Val Piave) was fatally wounded, the first to be killed in the Padua university community. At the end of the day, the two years of war on Mount Piana essentially led to nothing; the two contenders fought for two long years on a patch of land, without ever being able to subvert the enemy forces, and on 3 November 1917 the positions on the plain were abandoned by the Italian units to retreat and take sides on the Grappa line in an attempt to resist the Austro-Hungarian offensive in Caporetto (reference to the Frommer Stop Pistol's Caporetto skin).
The Schreckenstein skin for Hellriegel 1915 (https://en.wikipedia.org/wiki/White_War): Falzarego Pass. The Italians decided to focus on dislodging the Austrians from various high points around the eastern entrance to the Pass, particularly the rocky outcrop called the Casteletto on the Tofana di Rozes. The fighting to secure thus became so intense that the Austrians called it the “Schreckenstein” – “The rock of horror. Unable to push the Austro-Hungarians off the Casteletto, in 1916 the Italians decided to dig a 500m gallery from their positions to the foot of the outcrop and use 35 tons of gelignite to destroy it. The Austro-Hungarians responded by countermining but the Italians were so confident of success that General Cadorna and King Victor Emmanuel were invited to observe the detonation of the mine followed by the rapid assault by Italian troops held ready in another tunnel to swarm out after the explosion. The attack on 11 July was only partially successful. Many Italian soldiers were killed by carbon monoxide from the explosion as they rushed downhill, while others were killed by falling rocks. They managed to take the south side of the Casteletto but did not manage to drive the Austrians off completely for another three months. https://www.summitpost.org/the-world-war-i-in-the-dolomites-may-1915-may-2015/937585 The most sensational event of the whole war occurred on a stunning rocky tower considered particularly strategic, leaning against the majestic SW wall of the Tofana di Rozes, at the cross between Val Travenanzes and Val Costeana. This peak was called Castelletto (Little Castle) by the Italians, “Schreckenstein” (literally "Rock of Terror") by the Austrians. The Austrian sentinels placed on the mountain prevented the Italian army entering Val Travenenzes; Italians tried in various ways to storm Castelletto through several attempts, whether by daring climbing from below or descending from the summit of Tofana di Rozes. Failing in order the Italians thought to blow it up, building a 507 meters long tunnel. On July 11, 1916 a terrific explosion tore off the top of Castelletto. The rocks were thrown away at thousands of meters, continuing to fall for several hours. The summit was occupied by the Italians two days later.
The Archduke skin for Hellriegel 1915 (https://en.wikipedia.org/wiki/Archduke_Franz_Ferdinand_of_Austria): Archduke Franz Ferdinand Carl Ludwig Joseph Maria of Austria (18 December 1863 – 28 June 1914) was the heir presumptive to the throne of Austria-Hungary. His assassination in Sarajevo was the most immediate cause of World War I. Franz Ferdinand was the eldest son of Archduke Karl Ludwig of Austria, the younger brother of Emperor Franz Joseph I of Austria (reference to Frommer Stop Pistol's The Emperor skin). Following the death of Crown Prince Rudolf in 1889 and the death of Karl Ludwig in 1896, Franz Ferdinand became the heir presumptive to the Austro-Hungarian throne. Franz Ferdinand held significant influence over the military, and in 1913 he was appointed inspector general of the Austro-Hungarian armed forces. On 28 June 1914, Franz Ferdinand and his wife were assassinated in Sarajevo by the 19-year-old Gavrilo Princip, a member of Young Bosnia. Franz Ferdinand's assassination led to the July Crisis and precipitated Austria-Hungary's declaration of war against Serbia, which in turn triggered a series of events that eventually led – four weeks after his death – to Austria-Hungary's allies and Serbia's allies declaring war on each other, starting World War I. His authority was reinforced in 1907 when he secured the retirement of the Emperor's confidant Friedrich von Beck-Rzikowsky as Chief of the General Staff. Beck's successor, Franz Conrad von Hötzendorf (reference to the Repetierpistole M1912's Hötzendorf skin), was personally selected by Franz Ferdinand. He advocated granting greater autonomy to ethnic groups within the Empire and addressing their grievances, especially the Czechs in Bohemia and the south Slavic peoples in Croatia and Bosnia, who had been left out of the Austro-Hungarian Compromise of 1867. Yet his feelings towards the Hungarians were less generous, often described as antipathy. He regarded Hungarian nationalism as a revolutionary threat to the Habsburg dynasty (reference to Repetierpistole M1912's The Habsburg skin) and reportedly became angry when officers of the 9th Hussars Regiment (which he commanded) spoke Hungarian in his presence – despite the fact that it was the official regimental language. He further regarded the Hungarian branch of the Dual Monarchy's army, the Honvédség, as an unreliable and potentially threatening force within the empire, complaining at the Hungarians' failure to provide funds for the joint army and opposing the formation of artillery units within the Hungarian forces.
Eidenberger skin for Hellriegel 1915 https://de.wikipedia.org/wiki/Josef_Eidenberger_(Maler) Josef Eidenberger (* 30. Mai 1899 in Goisern, Oberösterreich; † 21. Juli 1991 in Niederwaldkirchen) war ein österreichischer Maler. Nach dem Ersten Weltkrieg wandte er sich zunächst der Landschaftsmalerei zu. Im Jahre 1923 trat er in die Graphische Lehr- und Versuchsanstalt in Wien ein und erlernte bei Alfred Cossmann die Techniken des Kupferstiches und der Radierung. Danach beschäftigte er sich mit der Farbradierung, deren Technik er ständig verfeinerte und verbesserte. Seine Motive erwecken den Eindruck handgemalter Arbeiten und entstanden in seinem Atelier bzw. in seiner Druckerei. Neben vielen Motiven aus seiner engeren Heimat entstanden zahlreiche Städteansichten aus aller Welt. Die internationale Anerkennung seiner Arbeiten kam mit den vielen Aufträgen aus den Vereinigten Staaten. https://en.everybodywiki.com/Josef_Eidenberger_(artist) Josef Eidenberger (1899-1991) was an Austrian born engraver, etcher, painter and printmaker. Josef Eidenberger (1899-1991) was born in the small town of Bad Goisern, Austria. In 1902 the family moved to Vienna. He obtained his secondary education at the Neue Weiner Handelsakademie (New Vienna Commercial Academy, now incorporated into the Vienna Business School). Eidenberger was 20 when World War I ended. It was then, as a promising painter of landscapes that he began his career as an artist. In 1923, he enrolled in the famed Akademie der bildenden Künste Wien (Vienna Graphic Academy of Art) and studied under Alfred Cossmann. Starting with copper engraving, Eidenberger soon turned to etching on copper as his medium. His specialized studies and love for subtle color led him to the complicated process of multi-plate color etching. Eidenberger loved the natural colors and shapes of landscapes, especially the alpine scenery of his native Austria. These two subjects, city and village architecture, and landscapes, comprised the majority of his professional works. In the 1950’s and 1960’s, in oil paintings and etchings, he captured the essence of classic alpine landscapes and city architecture in numerous European countries. Medieval buildings and districts were a frequent subject of his work.
Die Tiroler Bracke skin for Hellriegel 1915 (https://en.wikipedia.org/wiki/Tyrolean_Hound): The Tyrolean Hound is a breed of dog that originated in Tyrol (reference to the Hellriegel 1915's Tyrol skin) also called the Tiroler Bracke or Tyroler Bracke. They are scent hounds that descended from the Celtic hounds in the late 1800s, mainly for their hunting skills. They are hardworking, passionate, and independent dogs not known for their size, but rather their intelligence. For that reason, hunters can regularly use these dogs to catch their prey, wounded or otherwise. The Tyrolean Hound, also known as the Tyroler Bracke, is a breed of scent hound originally developed in the 1800s from the Bracke hounds and the Celtic hounds. It was first bred in Tyrol as a dog adapted to hunting in the snow. Emperor Maximilian I used this hound for hunting hare and fox and for tracking wounded game. Breeding began in 1860, and then in 1896 the first standard of breeding was published. Followed shortly thereafter, the Tyrolean Hound was recognized as their own breed in 1908. It was not until 2006, that the Tyrolean Hound was recognized by the United Kennel Club. As with dogs that come from hardworking scent hound breeds, the Tyrolean hound was bred for their hunting ability. The breed is known for their excellent ability in being able to maneuver through mountainous or heavily wooded areas, and for their amazing scenting skills.